Résumé
Shot in black and white cinema verite style, Hate (La Haine) follows a day in the life of three aimless, violence-prone, ethnically-diverse young men who hail from the same decaying housing project in Paris. Mathieu Kassovitz won the Best Director prize for this realistic movie at the Cannes Film Festival. Further than the cinematic side, La Haine aims at denouncing violence due to dismay, to precariousness. In a word, as it was shot in 1995, it illustrates the social issue that has become the keyword of the 95's presidential elections. More precisely, « social exclusion » is a dynamic process which leads to a loss of social links and of traditional marks. Furthermore, it is analysed through the notion of breaks, of dislocation.
However, the strict definition of social exclusion is difficult to catch insofar as it gathers lots of dimensions, causes. Hence, it appears necessary to remind us the different origins of social exclusion in order to understand its complexity. Then, we should get the reason why sociologists speak about a multidimensional and cumulative process.
First of all, we would develop the idea that unemployment is the first and strongest way to social exclusion as paid work is considered as a crucial link between individuals and society. Then, we are going to put stress on other socialising structures such as school and family. Finally, a analysis would go through micro and macro handicaps that prevent individuals from entering the public sphere.